{"id":162,"date":"2025-10-29T17:58:17","date_gmt":"2025-10-29T16:58:17","guid":{"rendered":"https:\/\/sc1mxog4881.universe.wf\/?page_id=162"},"modified":"2025-10-29T18:04:37","modified_gmt":"2025-10-29T17:04:37","slug":"etat-de-choses-1-1989-galerie-lydie-rekow-lyon","status":"publish","type":"page","link":"https:\/\/christinecoblentz.com\/?page_id=162","title":{"rendered":"Etat de choses 1 &#8211; 1989 &#8211; Galerie Lydie Rekow Lyon"},"content":{"rendered":"\n\n\n\n\n\n\n\n<p>Etat de choses 1 &#8211; 1989 &#8211; Galerie Lydie Rekow Lyon<\/p>\n<p>En deux espaces de la r\u00e9gion lyonnaise sont pr\u00e9sent\u00e9s les dessins, toiles objets et montages de Christine Coblentz. L\u2019exposition, d\u2019une apparente diversit\u00e9, se d\u00e9veloppe pourtant de mani\u00e8re rigoureuse autour des sources premi\u00e8res de ses pr\u00e9occupations . . .<br \/> . . . Moins proche de l\u2019usage classique que fait l\u2019artiste des techniques du dessin, se situe une composition de plaques rouill\u00e9es de petit format sur lesquelles sont appliqu\u00e9s des clich\u00e9s de planche-contacts. 140 plaques, s\u00e9quences d\u2019images de 10 ann\u00e9es, rythm\u00e9es de blancs et de silences, composition orchestr\u00e9e en toute rigueur, sans hasardeux compromis. Un tr\u00e8s bel hommage au temps.<br \/><br \/> Opus international n\u00b0118, 1989<br \/> Isabelle Chansard-Duflos<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n<p>Lorem Ipsum has been the industry&rsquo;s standard dummy text ever since the 1500s.<\/p>\n\n\n\n\n\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"class_list":["post-162","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=\/wp\/v2\/pages\/162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=162"}],"version-history":[{"count":3,"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=\/wp\/v2\/pages\/162\/revisions"}],"predecessor-version":[{"id":177,"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=\/wp\/v2\/pages\/162\/revisions\/177"}],"wp:attachment":[{"href":"https:\/\/christinecoblentz.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}